To suggest that director Jack Bergert and co-screenwriter Dani Goffstein are playing with fire with the first act of their feature film debuts is an understatement of massive proportions. We haven’t walked out of a movie at a major film festival since before the pandemic, but if we weren’t assigned to review “Little Death” we might have. And even knowing we were reviewing it; the thought crossed our mind. A number of times. But this 2024 Sundance Film Festival world premiere had a surprise in store (actually, it has too many surprises). It turns out this endeavor is a manic mix of two different movies in one and the second barely redeems it enough to make you stick around for the end credits.
